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S3L System Guide72
Setting the Input Channel Configuration
You can choose one of the following input channel configura-
tions:
• 48 Input Channels plus eight stereo FX Returns
• 64 Input Channels
The Input Channel numbers (48 and 64) represent mono input
processing channels, not physical hardware inputs. Each stereo
channel uses two mono channels. Input channel configurations
are stored with Show files.
To set the number of available Input Channels:
1 Put the system into Config mode.
2 Go to Options > System.
3 Click Edit.
4 Choose 48 or 64 from the Input Channels pop-up menu.
5 Click Apply. The system restarts with the new Input Channel
configuration.
Naming Input Channels
Input Channel and FX Return channel names can be changed
from the Inputs page. Channel names can be up to 32 characters
in length. When displayed on the S3 control surface, names are
abbreviated to fit the display
To change the name of an Input Channel or FX Return channel:
1 Go the Inputs page.
2 Select the channel whose name you want to change.
3 Double-click the channel name.
4 Type a new name and press Enter on the computer keyboard.
If there are more input processing channels available than
physical hardware inputs, then you can use the “extra” input
processing channels for advanced monitor mixing workflows.
For more information, see “Assigning a Source to Multiple
Input Channels” on page 75.
Two mono inputs about to be combined into one stereo channel
Audio will be interrupted when this configuration change is
applied.
Channel names can also be changed on the Patchbay page.
See “Naming Channels from the Patchbay” on page 123.
Changing the name of an Input Channel on the Inputs page
- S3L System Guide 1
- Legal Notices 2
- Safety Compliance 3
- Contents 4
- S3L System Guidevi 5
- Contents vii 6
- Part V Shows 7
- Contents ix 8
- S3L System Guidex 9
- Contents xi 10
- Part I: Overview 11
- 1234 567 8 12
- S3L System Processing 13
- S3Control Surface 13
- E3 Engine 13
- Stage 16 14
- Power Supply Units (PSUs) 14
- S3 Control Surface 14
- Operational Requirements 16
- Connection Requirements 16
- System Requirements and 16
- Compatibility 16
- SHIFT and SHIFT Lock 17
- How to Use this PDF Guide 18
- Components 19
- S3L System Guide10 20
- Connecting Power 22
- Connecting Peripherals 23
- Connecting the S3L System 23
- S3L System Guide14 24
- AES OUTPUT 25
- AES INPUT 25
- Powering Up the System 26
- S3L System Guide18 28
- How to Proceed 29
- Managing Stage I/O 30
- S3 control surface back panel 31
- To make MIDI connections: 32
- E3 engine back panel 32
- Interior Secure USB Port 33
- Front Panel USB Port 33
- Stage 16 Audio Connections 34
- Switches, and Indicators 34
- Options > System tab 35
- Part II: Description 36
- A - Channel Section 37
- B - Channel Control 37
- C - Global Controls 37
- Channel Strips 38
- Assignable Channel Encoders 39
- Channel Displays 39
- Fader Banking Controls 40
- Multi-Assign, OK, and Cancel 41
- Channel Control Encoders 42
- Channel Control Displays 43
- Global Control Encoders 44
- View Mode Switches 45
- Function Switches 46
- Monitoring Switches 46
- Touch Strip 46
- Global Modifiers 47
- Software Screen Overview 48
- Overview of Software Pages 49
- Plug-In page 50
- Banking Channels 51
- Thrshold 52
- Selecting Channels On-Screen 53
- Screen Controls 54
- Screen Shortcuts 55
- Selected Stereo Strip Mono 56
- Move Selected Strip 56
- Insert Blank Strip 56
- To remove a blank strip: 57
- To remove all blank strips: 57
- Type Text Search 58
- Chapter 5: Channel Control 59
- Lo Gain Lo Freq 60
- Lo Gain 61
- User Assignment 62
- Chapter 5: Channel Control 55 63
- Chapter 6: Options 64
- System Configuration Settings 65
- Input Channel Source Settings 65
- Main Busses 65
- Bus Configuration Settings 65
- System Information Export 65
- System Lock 66
- Pickoffs 68
- Snapshot General Preferences 69
- Aux Mon and Aux FX 69
- MTC (MIDI Time Code) 69
- To customize Pointer Speed: 70
- Misc tab of the Options page 70
- Interaction 71
- Input Safe Switches 72
- Ethernet Control 72
- Displays 72
- Identifying Stage 16 73
- Muting Stage 16 Outputs 73
- Part III: Signal Routing 75
- Configuring Inputs 76
- Naming Input Channels 77
- Splitting Stereo Channels 78
- S3L System Guide74 79
- Inputs from Pro Tools 80
- Channels 80
- Oscillator 80
- S3L System Guide76 81
- Assigning Inputs to VCAs 82
- Input Gain 82
- 20 dB Pad 83
- 48V (Phantom Power) 84
- Pan/Balance 84
- S3L System Guide80 85
- Using Input Direct 88
- Input Channel Presets 89
- Channel Compatibility 90
- Management.” 90
- Variable Groups 91
- Configuring the Main Busses 92
- Naming Output Channels 92
- Using Inserts on Outputs 95
- S3L System Guide92 96
- Adjusting the Mains 97
- Monitors Mains 98
- Direct Outputs 99
- Adjusting Direct Outputs 100
- Direct Output Pickoff Points 100
- Selected Channel 101
- Inputs and Outputs Pages 101
- Options > Interaction 101
- Contribution 101
- Managing Bus Assignments 102
- Resetting Bus Assignments 103
- Chapter 9: Groups 104
- Group Output Solo 105
- Group Output Mute 105
- Group Bus Output Pan 105
- Group Bus Signal Flow Options 106
- Configuration 107
- 3 Click Edit 108
- 5 Click Apply 108
- Pickoff Points 109
- Slots” on page 170 110
- Send Controls 111
- Aux 1 112
- Aux 2 Aux 3 112
- Adjusting Stereo Sends 113
- On-Screen Send Controls 113
- Parameters 114
- S3L System Guide112 115
- Chapter 11: Matrix Mixers 116
- Configuring Matrix Mixers 117
- Settings 118
- Relinking and Offsets 118
- Configuring User Inputs 119
- Matrix Input Level 120
- Matrix Mixer Input Pan 120
- Controls 121
- Matrix Mixers 122
- Chapter 12: Patchbay 123
- Stage I/O 124
- Pro Tools I/O 124
- Pro Tools hardware tabs 124
- Navigating the Patchbay 125
- Assign in the 126
- Channel or FX Return 127
- Outputs in the Patchbay 128
- Patch List Export 128
- Information 129
- Selecting a Solo Mode 130
- Auxes Follow AFL 131
- AFL Follows Auxes 131
- Mix to Monitors 131
- Using Solo 132
- Solo Safing Channels 133
- Using the Monitor Bus 134
- Using Talkback 136
- Using 2-Track Inputs 137
- When Loading Shows 137
- Muting Channels 138
- Using Mute Groups 138
- Switches 139
- Mute Groups and VCAs 140
- Disabling Mute Groups 141
- Part V: Processing 142
- Chapter 15: Dynamics 143
- Built-In Exp/Gate 144
- Adjusting Dynamics Plug-Ins 145
- Input Direct Mode 146
- On-Screen Dynamics Controls 146
- Dynamics Settings and Presets 147
- Using the Sidechain 148
- Using Sidechain EQ Filters 149
- Key Listen 149
- Comp/Lim Parameter Mapping 150
- Exp/Gate Parameter Mapping 150
- Comp/Lim Defaults and Ranges 150
- Exp/Gate Defaults and Ranges 150
- Chapter 16: EQ 151
- Built-In EQ Parameters 152
- Adjusting EQ 153
- S3L System Guide154 154
- On-Screen EQ Controls 155
- Adjusting EQ Plug-Ins 156
- Graphic EQ for Outputs 156
- EQ Settings and Presets 157
- 4-Band EQ Presets window 158
- Chapter 16: EQ 159 159
- Chapter 17: Plug-Ins 160
- Installing Plug-Ins 161
- Installing Plug-Ins Manually 162
- (www.avid.com) 163
- Plug-in Version Checker 164
- USB Ports for iLoks 164
- Plug-In Racks 165
- “Jump To” Plug-Ins 166
- Pinning a Plug-In View 166
- Identifying Rack Slots 167
- Plug-Ins 167
- Rack Slot Controls 168
- Plug-In Formats (Mono/Stereo) 169
- Moving and Copying Plug-Ins 169
- Routing Plug-Ins 170
- Plug-Ins page 171
- Adjusting Plug-Ins 172
- Bypassing Plug-Ins 173
- Plug-In Presets and Snapshots 174
- 1 Go to Options > Devices 175
- Chapter 18: Hardware Inserts 176
- Reassigning Hardware Inserts 177
- Part VI: Shows 178
- Creating Shows 179
- Loading a Show 180
- Working with Presets 181
- Preset Files 182
- Presets 183
- Loading an Auto-Saved Show 184
- Chapter 20: Snapshots 185
- Main and Recall Safe Tabs 186
- Snapshots List 186
- Snapshot Command Buttons 187
- Snapshot Scope Controls 188
- Channel Scope Controls 188
- Snapshot Status Display 189
- Creating Snapshots 190
- Recalling Snapshots 191
- Recall Safe 192
- Parameter Matrix Grid Icons 193
- Channel Safe Controls 193
- Using Recall Safe 194
- Using Scope Sets 195
- Automation Safe 196
- Managing Snapshots 196
- Locking Snapshots 197
- Clearing Snapshots 197
- Duplicating Snapshots 198
- Deleting Snapshots 198
- Moving Snapshots 198
- Importing Snapshots 198
- Making Changes to Snapshots 199
- Preview Mode 200
- Undo and Preview Mode 201
- Undoing Snapshot Commands 203
- Disabling Snapshots 203
- Adding MIDI Data to Snapshots 204
- Safing MIDI Message Output 205
- Adding Plug-Ins to Snapshots 205
- Editing Plug-Ins 206
- Chapter 20: Snapshots 209 207
- Snapshot Options 208
- Pre Settings 209
- Classifying Aux Sends 209
- S3L System Guide212 210
- Chapter 21: Events 211
- The Events Tab 212
- Event List 213
- Triggers 213
- Footswitch Status Display 214
- GPI I/O Stats Display 214
- Creating Events 215
- Enabling and Disabling Events 216
- Creating Triggers 217
- Editing Triggers 218
- Selecting Triggers 218
- Duplicating Triggers 218
- Deleting Triggers 218
- Creating Actions 219
- Testing Events 220
- Resetting Events 220
- Avoid Feedback Loops 221
- Default Events 222
- Templates 222
- Tap Tempo for Plug-ins 223
- Tips for Using Tap Tempo 224
- Snapshots and Tempo Sync 224
- Trigger Types 225
- Action Types 226
- Table 7. Action types 227
- Flip Channel Encoder 228
- Chapter 22: Synchronization 229
- Snapshots 230
- Chasing MIDI Time Code 231
- Snapshots tab 232
- Conversion 233
- Software and a VENUE System 234
- System Requirements 234
- VENUE System 235
- Patchbay Information 236
- USB Flash Drive Requirements 238
- Media Page 238
- Playback 239
- Selecting Tracks 240
- Click the item 240
- Shift-click the items 240
- Transport Controls 241
- Transport Display 241
- Playback Mode Buttons 241
- Recording Audio to USB 242
- Initiating the Recording 243
- Playing Back Audio from USB 244
- Adding Tracks to the Playlist 245
- Setting the Play Mode 245
- Engaging Playback 245
- Managing USB Audio 246
- Commands 247
- Using Events to Trigger USB 248
- Transport Commands 248
- S3L System Guide254 249
- Capabilities and Features 250
- Pro Tools Compatibility 250
- Pro Tools Recording Outputs 251
- Pro Tools Playback Inputs 251
- VENUE Link 251
- Installing Pro Tools 252
- Connecting to Pro Tools 253
- Using Virtual Soundcheck 254
- Returning to Stage Inputs 255
- Soundcheck Inputs 256
- S3L System Guide262 257
- Using Input Mode 258
- Enabling VENUE Link 258
- S3L System Guide264 259
- Using VENUE Link 260
- Track Names 261
- Snapshot 262
- “Events.” 263
- Part VIII: Specifications and 265
- Troubleshooting 265
- 14.3 in 267
- S3L System Guide280 272
- S3L System Guide282 274
- S3L System Guide284 276
- Input Signal Flow Diagram 279
- Output Signal Flow Diagram 280
- Chapter 29: Troubleshooting 281
- Startup and Restarts 282
- Warning Dialogs 283
- Performing a Soft Reset 284
- Hardware Monitoring Window 284
- Resetting Hardware Components 285
- Utility Mode 285
- Resetting the Plug-In Racks 285
- Reinstalling Plug-Ins 286
- Updating Firmware 287
- Part IX: Reference 288
- GPI Input Specifications 289
- GPI Output Specifications 289
- GPI Connector Pin Assignments 289
- GPI Input Examples 290
- GPI Output Examples 290
- Ground reference needed 291
- Installing ECx Host Software 292
- To update ECx: 293
- Overview of ECx Setup and 294
- Setting IP Addresses 295
- Network Preferences window 296
- S3L System Guide310 297
- Automatically 298
- Mac Client 299
- Windows Client 300
- Enabling Remote Operation 301
- Disconnecting ECx 301
- Password 301
- E3 engine Top Panel 302
- S3L System Guide316 303
- Appendix B: Compliance 304
- Korean EMC Regulations 305
- Numerics 306
- S3L System Guide320 307
- Index 321 308
- S3L System Guide322 309
- Index 323 310
- S3L System Guide324 311
- Index 325 312
- Technical Support (USA) 313
- Product Information 313
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